![]() Pick the DAW that suits you and support it because it is probable they will support you when you have problems, instead running to cracked forums that may or may not have any possible solution. Applications of worth always continue development or new features. The support I figure is what you pay for with any application you purchase. If Steniberg never went to the online authentication model, you would have no choice but to buy Cubase Pro because nobody successfully cracked every aspect of the elicenser dongle for Cubase Pro. Notsomuch because of any misguided ideology about why buy it when it has been cracked? More because of the support network the purchaser has hopefully researched prior to purchasing. I still believe people should own their DAW or the workstation they do the most of their creations on. People can be forgiven for questioning any purchase in software, because we now live in a world where almost any application with very few exceptions, has had its protection removed by somebody. Thank you in advance for any insight/thoughts Should I just shut up, use the R2R version for a year and see if it really fits. (I am sure Steinberg will somehow try to rob me in the future. What are the fuckeries with licensing and future versions. Should I grab Cubase for 200+€ (I can afford that, but rather not if unnecessary.)ĭoes Steinberg have these sales every year? by way of innuendo, my barn full of corn ' because that is not an. ![]() ![]() The new video engine, in particular, which offers hardware acceleration and full HD support. I managed to finish it with Reaper (and the notation in Finale), but I felt like I would need Cubase for that job. by the force of an inehood antu nuendo, apply the words to himself When the. Cubase 5.5 and Nuendo 5 benefit from the many core, underthebonnet improvements, such as better multicore performance for systems, improved scrubbing, and a new video engine that finally makes Firewire video output possible for Windows users. It was only recently that I had to make a mock-up for an orchestral piece for a conductor. But I felt totally uninspired by the recent versions of it and since my music shifted towards more hybrid stuff I started using Ableton + Reaper and the combo is working well. I think I can get Cubase right now for 200 and something (I think).īased on how I make music, that is - in a more classical way, lots of MIDI editing, orchestral work etc., Cubase should be the obvious choice (on Win).
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